Nikon Nikkor Z DX 16-50mm f / 3.5-6.3 VR
There can be a lot of snobbery around kit lenses, but the Nikon Z DX 16-50mm f / 3.5-6.3 VR delivers good quality images which means you won’t regret choosing a small, light, and compact lens. practice.
At the widest focal length and maximum aperture, there is a slight decrease towards the corners of the frame, but it’s well within acceptable limits, and even with the in-camera Vignette control turned off, there is just a suggestion of shading the corners. When you zoom in, the loss of sharpness becomes even less of an issue and there is effectively no vignetting.
At the other end of the aperture range, I recommend opening the aperture of a diaphragm from the smallest setting to avoid the worst of diffraction impact. At 50mm of the lens, I wouldn’t go above f / 22.
While not completely silent, the Nikon Z DX 16-50mm f / 3.5-6.3 VR’s focusing is very quiet. It’s also fast and, other than to test the mechanism, I didn’t feel the need to switch to manual focus. As the focus is by wire, there is no end point to manual focus and there is no distance scale on the barrel but a scale appears in the viewfinder or on the lens. screen when the focus ring is rotated.
There is more good news as the Nikon Z DX 16-50mm f / 3.5-6.3 VR is not bothered by excessive reflections, chromatic aberrations or curvilinear distortion, everything is very well controlled.
With a maximum aperture range of f / 3.5-6.3, the Nikon Z DX 16-50mm f / 3.5-6.3 VR is quite slow, but the image stabilization works well and I found that I could get about 4 stops of shutter speed compensation.
Out-of-focus areas look nice and even towards the corners of the frame, specular highlights appear round across the focal range. However, in some cases, the bokeh balls have texture within them.