Sony announces flagship Venice 2 cinema camera capable of internal 8.6K RAW recording

Sony announces flagship Venice 2 cinema camera capable of internal 8.6K RAW recording

Sony has unveiled its latest flagship cinema camera, Venice 2, which is capable of capturing 8.6K full frame video at 30 fps. Building on its predecessor, the slightly more compact Venice 2 features interchangeable image sensors: Venice’s original 24.8-megapixel 6K full-frame sensor or a new 8.6K 50MP full-frame sensor. These sensors have very similar specifications to Sony’s a9 II and a1 mirrorless camera systems, but the company does not say whether they are the same.

While the old sensor hit 15 stops of dynamic range, according to Sony, the new one can capture up to 16 stops. Old and new models share the same color science. Like its predecessor, the Venice 2 offers a dual ISO base, but 800/3200 compared to the 500/2500 of the original. 8.6K sensor (8640×5760 pixels) can shoot 8.6K 3: 2 at 30 fps, 8.2K 17: 9 at 60 fps, 5.8K 17: 9 at 90 fps (Super35) and 5.8K 6: 5 anamorphic at 48 fps (Super35), while the 6K sensor (6048×4032 pixels) can shoot in 6K 3: 2 and 6K 17: 9 at 60fps, and 4K 6: 5 anamorphic at 60fps (Super35). The Venice 2 uses Sony’s new AXS memory cards, allowing data transfer at up to 6.6 Gbit / s.

The Venice 2 camera equipped with the new 8.6K sensor will be delivered in February 2022; version 5.8K is available a month later. The cameras will be available with PL and Sony E lens mount options. No pricing information was given.


PRESS RELEASE

Sony unveils flagship VENICE 2 digital cinema camera

LOS ANGELES, CA – November 15, 2021 – Today Sony Electronics Inc. introduces the VENICE 2, the new flagship model and the latest addition to its line of premium digital cinema cameras. The VENICE 2 builds on the strength of the original VENICE with new features including a compact design, internal recording and the option for two different sensors: the new 8.6K full frame sensor or the original 6K VENICE sensor. The VENICE 2 also inherits popular features from the original VENICE, including color science, dual ISO base and 8 built-in ND filters.

New sensor results in extraordinary image quality and incredible low light sensitivity

Paired with a new 8.6K (8640 x 5760) full-frame CMOS image sensor, the VENICE 2 delivers excellent image quality with 16 stops of full latitude[i] to capture beautiful images with excellent color separation and shadow detail. The camera also inherits its color science from the original VENICE which is highly regarded for its natural skin tones. The VENICE 2 8K CineAlta camera has a unique dual ISO 800/3200 base that allows filmmakers to capture incredibly crisp, cinematic images in a wide range of lighting conditions. It supports everything from full frame to full anamorphic frame[ii] to Super35, all with a minimum resolution of 4K, making it an exceptional and versatile camera system for filmmakers and productions.

To illustrate the strength of the VENICE 2 and its new 8.6K sensor, Sony worked with the best filmmakers in the industry to test the camera’s image quality on a few separate shoots without using film lighting. professional.

Award-winning cinematographer Robert McLachlan ASC, CSC, who has worked on highly acclaimed productions including Game of Thrones (for which he received two Emmy nominations), Westworld and Lovecraft Country. McLachlan has tested and filmed the new VENICE 2 8.6K full frame in two countries and offered their feedback.

“I really wish we had an 8.6K large format sensor like Sony VENICE 2 on my previous work. This would have made it even more epic and, at the same time, more engaging, thanks to the increased resolution, richness, and dimensionality. The increased speed, sharper highlights and shadows, as well as the potential for very shallow depth of field would have been a huge plus. “

Oscar-winning cinematographer[iii] Claudio Miranda ASC, ACC used the original VENICE and tested the VENICE 2 against the original in complete darkness of the California desert. He proposed this assessment:

“The ASA 3200 is amazing. I think how clean it is – it’s a really big deal, ”said Miranda. “In the film, there is still fidelity in the shadows, and the wide shots are quite spectacular. There was no film light on this shoot. There was only the headlights of the car, the fire, and that was the point. It was about going to the middle of nowhere and lighting a big fire and seeing how far the new sensor could light up the mountain, silently.

Rob Hardy, BSC, ASC, the British cinematographer known for his groundbreaking work on Mission Impossible: Fallout, Ex-Machina and DEVS and BAFTA winner for Cinematography for Boy A, also commented:

“I’m used to using the original VENICE and would say I’m pretty much a supporter of this camera. The opportunity to use VENICE 2 is truly fantastic. This is my first time using this larger sensor, the 8.6K, and we’ve been fortunate to have anamorphic lenses that really adapt to the full kinematic effect and really use the entire sensor. The ISOs have been increased, allowing me to shoot at a higher speed in low light levels, which wasn’t much of an option before, and that’s the big gain for me.

With the 8.6K sensor offering significant oversampling, images shot on VENICE 2 will benefit from less noise and richer information in 2K or 4K production. It also means that the camera is well suited for virtual reality, in-camera visual effects and virtual production setups, providing an immersive experience and lifelike images, especially in combination with high contrast Crystal LED displays and on a large scale from Sony.

The success of the original VENICE

Since its launch in 2017, VENICE has been used to shoot more than 300 theatrical, broadcast, cable and streaming releases, including the Emmy-winning series “The Crown”. Regular firmware and hardware updates to meet the latest creative needs have been key to the wide adoption of VENICE.

“We are delighted to have seen the success of the original VENICE over the past four years. Based on our conversations with filmmakers and production companies around the world, we have identified an opportunity to improve ourselves by leveraging many of our latest imaging and sensor technologies. In doing so, we are taking VENICE’s picture quality to a new level. We have also reduced the size of the camera and offer internal recording to allow more creative freedom: whether using the camera on drones, Steadicams, aerial gimbals or underwater enclosures, ”said Neal Manowitz, President and COO, Sony Electronics Inc.

User-influenced upgrades

The VENICE 2 retains many of the features that made the original VENICE so successful, including dual ISO base, 8 built-in ND filters, compatibility with a wide range of lenses, including all PL mounts and Sony’s native E mount which allows adapters for a multitude of purposes.

Thanks to direct feedback from the production community, the VENICE 2 has been designed with a smaller and lighter body than the original VENICE while still maintaining its intuitive operability. Although it is 44mm smaller and around 10% lighter[iv], the VENICE 2 chassis allows internal recording of X-OCN and Apple 4K ProRes 4444 and 422 HQ without the AXS-R7 recorder, providing advanced ease of use in a compact and lightweight package.

The user-selectable capture resolution of the 8.6K image sensor allows shooting in various modes, including:

  • 8.6K | 3: 2 | 30FPS | Full frame
  • 8.2K ​​| 17: 9 | 60FPS | Full frame
  • 5.8K | 6.5 Anamorphic | 48FPS | Super35
  • 5.8K | 17: 9 | 90FPS | Super35

Interchangeable sensor design

For even more flexibility on site, the VENICE 2 chassis adds the unique functionality of interchanging the image sensor block. The camera can be used with the 8.6K sensor as well as the original 6K sensor block. [v] The camera body automatically recognizes the change and starts up without any swap or reinstallation of firmware, adding more flexibility on site. The original 6K sensor will allow higher frame rates.

Improved user-friendliness with internal recording and smaller size

Small and lightweight but solidly built, the VENICE 2 box leverages the new AXS-A1TS66 high-speed 6.6Gbps AXS card for 8K 60p recording. Existing AXS memory card readers, including AXS-AR3 via Thunderbolt ™ 3[vi] are compatible with new media.

In addition, the user interface of VENICE 2 is the same as the original VENICE but incorporates improvements to make it easier and even more intuitive to use. The camera offers an advanced product design while being compatible with almost all genuine VENICE accessories.

Other updates to VENICE 2, based on feedback from current VENICE users to improve usability, include:

4K output with LUT applied Enhanced 3D LUT processing to improve picture quality EI changes directly applied to S-Log3 outputs LUT / ASC-CDL control via Ethernet / Wi-Fi Zoom to Fit (full frame recording with 17: 9 / 16: 9 monitoring) operation The position of the Ethernet connector has been changed on the camera assistant side 2-pin Lemo output connector 12 V Internal microphone installed Availability

The VENICE 2 camera with 8.6K image sensor is expected to be released in February 2022 and the VENICE 2 camera with 6K image sensor in March 2022.

In addition, the VENICE 2 6K can be used with the existing VENICE extension system and a next-generation extension system for the VENICE 2 8K is expected to be released in early 2023.

Exclusive stories and exciting new content shot with the new VENICE 2 and other Sony imaging products are available at www.sonycine.com, a site created to educate and inspire all fans and customers of the Sony Cinema range. .

REMARKS

[i] 15+ stops for the 6K model
[ii] Requires optional license for full frame and anamorphic shooting.
[iii] 2012 Oscar for best photography “Life of Pi”
[iv] Compared to VENICE with the AXS-R7 external recorder
[v] The 8.6K image sensor block of VENICE 2 cannot be attached to VENICE.
[vi] Thunderbolt and the Thunderbolt logo are trademarks of Intel Corporation or its subsidiaries in the United States and / or other countries.


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