The State of Painting, Black British Resistance and a Fake Banksy NFT – Art Week | Art


Exhibition of the week

Mix things up: paint today
A survey of the state of the art of contemporary painting that features Peter Doig, Lisa Brice, Oscar Murillo and many more.
Hayward Gallery, London, September 9 to December 12

Also showing

Sophie barbier
Bright, raw cob of birds, lovers and the East Sussex seaside.
Alison Jacques, London, until October 2

Ray harryhausen
Discover the original models and designs of some of cinema’s most dreamlike sequences in this rightly extended celebration of a unique genius.
Scottish National Gallery of Modern Art (Modern Two), Edinburgh, until February 22

London Photo
International Photography Fair featuring artists from Abdourahmane Sakaly to Anton Corbijn, and a special exhibition by laureate Shirin Neshat.
Somerset House, London, September 9-12

Inna Babylon War
An investigation into the resistance of black communities in Great Britain, organized by Tottenham Rights.
ICA, London, until September 26

Image of the week

The fake Banksy NFT, title Great Redistribution of the Climate Change Disaster Photograph: unknown / The Art Newspaper

This is the NFT that any collector would want: Banksy’s first. Unfortunately for its buyer, the recent auction of a non-fungible Banksy token was not what it seemed. This coin (called the Great Redistribution of Climate Change Catastrophe) did enough to convince a buyer to pay the equivalent of £ 244,000 in cryptocurrency as the victim of what appears to be an elaborate hoax.

What we have learned

Porcelain seized by Nazis to fetch more than £ 2million at Sotheby’s in New York

Tasmania’s main gallery has made Covid jabs mandatory for staff …

… while Brussels doctors will be able to prescribe visits to museums for Covid stress

Netflix documentary about American painter and TV host Bob Ross caused a stir

Boy Won £ 290,000 Selling Digital Whale Art NFTs

… and an art exhibition co-organized by a five-year-old can be nuanced and profound

London skyscraper plans threaten Britain’s oldest synagogue

Berlin spent £ 120million to fix its dysfunctional Mies van der Rohe art gallery

Young black photographers are changing the face (and bodies) of fashion photography

Photographer Hiro’s experimental images transformed fashion and beauty advertising

Brooklyn-based artist Sophia Dawson created works of art using correspondence from imprisoned black activists

The British Press Photographers’ Association’s Missions exhibition celebrates the best work of its members …

… while the French city of Perpignan also celebrates photojournalism

Feminist artist Judy Chicago, who has retrospective in San Francisco, reportedly throws one hell of a dinner

Abstract expressionist Douglas Abercrombie has died aged 87

Artists bring St Austell to life in Cornwall

William Mullan’s obsession with apples started in Waitrose

Luma Arles by Frank Gehry is the glittering icon of a new cultural campus

It is possible to get started in the art collection on a limited budget

The Courtauld Gallery in London reopens its doors after three years, with the return of a Van Gogh and a few Cézannes

Works by forgotten Indian masters of nature painting will be on display ahead of auction in October

Agi Katz, who championed artists Josef Herman, Mark Gertler and David Bomberg, has died

Masterpiece of the week

Sassetta: The stigmatization of Saint Francis, 1437-1444

The stigmatization of Saint Francis by Sassetta.
The stigmatization of Saint Francis by Sassetta. Photograph: Heritage Image Partnership Ltd / Alamy

Two bloody holes appear on the palms of this revolutionary saint as he prays in a remote rocky refuge: the nails that crucified Christ have pierced his flesh. Francis of Assisi was a wealthy young man who rejected his comfortable life and chose not to have possessions. He preached love for all nature and it is even said that he gave a sermon to a flock of birds. In another painting in this series of touching scenes, he negotiates with a wolf who was terrorizing the town of Gubbio. Sassetta worked in the Renaissance but uses a deliberately archaic style, influenced by the much older Giotto, to express the vision of one of Christianity’s most radical thinkers.
National Gallery, London

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